By Arjun Sabharwal
Archives and specific collections departments have a protracted background of retaining and supplying long term entry to organizational files, infrequent books, and different targeted fundamental assets together with manuscripts, pictures, recordings, and artifacts in numerous codecs. The cautious curatorial consciousness to such files has additionally ensured that such documents stay on hand to researchers and the general public as resources of information, reminiscence, and id. electronic curation provides a huge framework for the continuing upkeep of digitized and born-digital collections, given the ephemeral and device-dependent nature of electronic content material. With the emergence of analog and electronic media codecs in shut succession (compared to past paper- and film-based codecs) got here new criteria, applied sciences, tools, documentation, and workflows to make sure secure garage and entry to content material and linked metadata. Researchers within the electronic humanities have greatly utilized computing to analyze; for them, persisted entry to fundamental info and cultural background ability either the continuation of humanities scholarship and new methodologies impossible with out electronic expertise. Digital Curation within the electronic Humanities, for this reason, includes a joint framework for conserving, selling, and gaining access to electronic collections. This ebook explores at nice size the conceptualization of electronic curation initiatives with interdisciplinary methods that mix the electronic humanities and heritage, info structure, social networking, and different subject matters for any such framework. the person chapters specialise in the specifics of every sector, however the relationships preserving the data structure and the electronic curation lifecycle version jointly stay an overarching topic during the publication; therefore, each one bankruptcy connects to others on a conceptual, theoretical, or useful point.
- theoretical and useful views on electronic curation within the electronic humanities and history
- in-depth learn of the position of social media and a social curation ecosystem
- the position of hypertextuality and knowledge structure in electronic curation
- study of collaboration and organizational dimensions in electronic curation
- reviews of vital net instruments in electronic humanities
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Extra info for Digital Curation in the Digital Humanities: Preserving and Promoting Archival and Special Collections
This approach has not only presented (digitally transcribed or born-digital) text but also the local structure of the material in a way that supported analysis (and it required textual analysis), interpretation, and organization. Archives may also play an important role in verifying the transcription for accuracy and reliability for researchers to use as primary sources. While TEI texts are digital—and hence, suspect as inauthentic in some communities—PDF files may eventually allow access to layers of text produced by Optical Character Recognition.
00002-7 © 2015 A. Sabharwal. All rights reserved. 28 Digital Curation in the Digital Humanities long-term relationship between humanities scholars, archivists, and subject librarians. Digital Humanities represents the partnership of humanistic scholarship and computing as referenced in the much-cited definition from Wikipedia (2013): The Digital Humanities are an area of research, teaching, and creation concerned with the intersection of computing and the disciplines of the humanities. Developing from the field of humanities computing, digital humanities embrace a variety of topics, from curating online collections to data mining large cultural data sets.
Digital collections, virtual exhibitions, virtual museums, and other digital artifacts must project beyond esthetic appreciation, frame the learning process (with a wellplanned information architecture), and present theoretical problems to the researcher or to the curator or to both. Does the collection contain information on organizational, community, or personal history to support critical historical writing? If there is no such material (possibly because the donated material did not contain any), does the arrangement of historical records represent the internal structure of the organization?
Digital Curation in the Digital Humanities: Preserving and Promoting Archival and Special Collections by Arjun Sabharwal