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It has a soft, analogue quality reminiscent of old rental VHS boxes from the eighties. I rely on the ability of the viewer’s brain to make assumptions about what it is looking at. That way, it is possible to allow a degree of creative interpretation by the viewer, which enhances their enjoyment. To that end, I don’t think it’s important to make an accurate depiction of the subject, but an impression of it instead. Ë 1 3 2 4 To start this project, create a rectangular document in Illustrator at the required size of the finished piece, in this case 275x295mm, and then add a bleed if necessary by creating another box around the first at the required bleed size.

Feature a fifties graphic design style reminiscent of Bass’s work, while the repeated motif of a door quickly becomes an icon for the film’s story. 50 | May 2005 SE7EN CREDITS Some see designer Kyle Cooper as the spiritual successor to Bass. His work, these striking credits for Se7en, for example, always reveals something of the film to follow, as well as being “interactive” in a way pioneered by Bass. Cooper also says he paid homage to Bass’s design for Walk on the Wild Side in the credits for Spider-Man 2.

9 Lowering the Tolerance will help to an extent, but there will be a trade off – the selected area will also contain less of the slightly different areas that you wish to include. In a case like this, some temporary adjustments will be very helpful. Create a Levels adjustment layer to increase contrast. 10 A selective colour adjustment layer will allow you to drastically alter individual colour components and make them different. Don’t worry about how your image appears now – once you have generated a selection you’ll be able to delete the layers while it is active.

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Computer Arts (May 2005)

by Jeff

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