Clear and Simple as the Truth: Writing Classic Prose (Second by Francis-Noël Thomas, Mark Turner PDF

By Francis-Noël Thomas, Mark Turner

ISBN-10: 0691147434

ISBN-13: 9780691147437

For greater than a decade, Clear and easy because the Truth has guided readers to think about kind now not as a chic accent of potent prose yet as its very middle. Francis-Noël Thomas and Mark Turner current writing as an highbrow job, no longer a passive program of verbal talents. In vintage kind, the rationale is fact, the aim is presentation, the reader and author are highbrow equals, and the get together is casual. This basic kind of presentation is at domestic far and wide, from company memos to non-public letters and from journal articles to pupil essays. each person talks approximately variety, yet nobody explains it. The authors of this publication do; and in doing so, they galvanize the reader to think about kind, no longer as a chic accent of potent prose, yet as its very heart.

At a time whilst writing abilities have almost disappeared, what may be performed? If in basic terms humans discovered the foundations of verbal correctness, the basic ideas, would not strong prose easily fall into position? Thomas and Turner say no. getting to principles of grammar, experience, and sentence constitution will not more result in potent prose than figuring out the mechanics of a golfing swing will bring about a hole-in-one. additionally, ten-step courses to higher writing exacerbate the matter through failing to acknowledge, as Thomas and Turner indicate, that there are numerous kinds with diversified standards.

The e-book is split into 4 elements. the 1st, "Principles of vintage Style," defines the fashion and contrasts it with a few others. "The Museum" is a guided travel via examples of writing, either beautiful and execrable. "The Studio," new to this variation, provides a chain of based workouts. ultimately, "Further Readings in vintage Prose" deals a listing of extra examples drawn from more than a few instances, areas, and topics. A better half site, classicprose.com, bargains supplementary examples, indicates, and statement, and lines a variety of items written by way of scholars in classes that used Clear and easy because the Truth as a textbook.

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Additional info for Clear and Simple as the Truth: Writing Classic Prose (Second Edition)

Sample text

Handel, a master of high baroque style, juxtaposed different emotions. Mozart, a master of classical style, represents a single character passing from one emotion to another in a sequence. ” Classical style differs from the style of the high baroque because it has made different decisions about the object of presentation. Although it is possible to catalogue surface differences between high baroque style and classical style, the motive and character of the change cannot be understood as a replacement of one set of surface features by another.

But in no case is the activity constituted by the skills. Great painters are often less skillful than mediocre painters; it is their concept of painting—not their skills—that defines their activity. Similarly, a foreigner may be less skillful than a native speaker at manipulating tenses or using subjunctives, but nonetheless be an incomparably better writer. Intellectual activities generate skills, but skills do not generate intellectual activities. A style is defined by its conceptual stand on truth, presentation, writer, reader, thought, language, and their relationships.

The concept of classic style assumes that plain style already exists. The classic version introduces a refinement, a qualification, a meditation on the plain version that makes it classic. Classic style takes the attitude that it is superior to plain style because classic style presents intelligence as it should be presented: as a sparkling display, not weighed down by grinding earnestness. The classic writer wants to be distinguished from others because she assumes that truth, though potentially available to all, is not the common property of common people, and that it is not to be perceived or expressed through common means unrefined.

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Clear and Simple as the Truth: Writing Classic Prose (Second Edition) by Francis-Noël Thomas, Mark Turner


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