By Mary Hunt
What if there have been one e-book which may assist you do approximately every little thing in existence more cost-effective, higher, and quicker? help you eliminate hairspray baked onto a curling iron. the right way to make white sneakers appear like new. the best way to make connoisseur espresso with out the connoisseur fee. how one can retain your cat from your houseplants. And enormous quantities of alternative things.
Cheaper, higher, swifter is the entire most sensible suggestion you've ever heard, amassed into one convenient quantity. each tip is brief, to the purpose, and is helping you're making the main of your cash and some time, making lifestyle much less worrying and extra relaxing.
Read or Download Cheaper, Better, Faster: Over 2,000 Tips and Tricks to Save You Time and Money Every Day PDF
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Additional resources for Cheaper, Better, Faster: Over 2,000 Tips and Tricks to Save You Time and Money Every Day
I think Jackson Pollock’s Number 8, which hangs in the Neuberger Museum, uses color better than many of his other paintings. People who love Mark Rothko certainly respond to his sense of color, which is evident in his Old Gold Over White, another purchase that I gave to the Neuberger. Sometimes it is a passionately strong use of color that attracts me, or sometimes it is a romantic subtlety, as in the various shades of green used by Georgia O’Keeffe in her haunting landscape, Lake George by Early Moonrise, evocative of Matisse’s use of various shades of one color.
There is something very strong and succinct about this painting. Its bright colors show the momentum of New York City against a background of a simplified Brooklyn Bridge. By 1942, I understood enough about art to believe I had some judgment of what was great. I believed this was a great painting. More than 95 percent of my purchases were from galleries, where most artists sell their work. At that time, the usual financial arrangement was two-thirds of the price to the artist and one-third to the gallery, which covered the cost of running the gallery and mounting and advertising the show.
It is the confluence of all of these elements, and many others, that evokes an emotional response. Anyone who has seen my collection, or at least a substantial part of it, knows that I love color. It was Matisse’s marvelous colors that attracted me to his paintings in Paris. I had the same response when I first saw Milton Avery’s work. I think Jackson Pollock’s Number 8, which hangs in the Neuberger Museum, uses color better than many of his other paintings. People who love Mark Rothko certainly respond to his sense of color, which is evident in his Old Gold Over White, another purchase that I gave to the Neuberger.
Cheaper, Better, Faster: Over 2,000 Tips and Tricks to Save You Time and Money Every Day by Mary Hunt