By Gertrude Chandler Warner
While Benny hears that somebody his age has moved in down the line, he's overjoyed! Benny hops on his motorcycle and rides over, excited to satisfy the boy. Then Benny reads the identify at the boy's blouse. Beth. the hot child isn't a boy. She's a lady!
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Extra info for Benny's New Friend (The Boxcar Children: The Adventures of Benny and Watch Series, Book 3)
Dialtone. Okay, I thought. You’ve asked for it. I held an emergency meeting of those members of staff who were still loyal to me—all three of them—and told them what I wanted to do: close the magazine down in secret without telling Julie. Miraculously, they agreed to help. Over the next two weeks we secretly put together a “Greatest Hits” issue and smuggled it down to our printers. I wrote a twothousand-word editorial announcing that this would be the last ever issue of The Modern Review and described the scandalous circumstances that had led to its demise: Julie was having a lesbian affair with one of the contributors.
The first thing I noticed was its title: Spy. That was the name of the fictional magazine James Stewart is employed by in The Philadelphia Story. Coincidence? I pulled it off the shelf and flipped through it. Aha, I thought to myself. Now we’re talking. Spy appeared to consist entirely of malicious gossip about various prominent public figures. On page after page, the most odious characters on the national stage were eviscerated with a muckraking glee. It was a bit like Private Eye, the British satirical how to Lose Friends and Alienate People 27 magazine, except it had evidently been produced with far more care and attention.
My interest had been piqued when I’d discovered that much of the course work involved watching screwball comedies of the 30s and 40s. According to Professor Cavell, in films like Bringing Up Baby, The Awful Truth and Adam’s Rib, Hollywood had rediscovered “the theme of remarriage” that Shakespeare had explored in his romantic comedies, particularly The Winter’s Tale. Rather amazingly, Cavell believed that these films were as worthy of serious critical attention as Shakespeare’s plays. Stanley Cavell’s two passions in life were philosophy and these black-and-white movies and, in this class, he’d found a way of combining them.
Benny's New Friend (The Boxcar Children: The Adventures of Benny and Watch Series, Book 3) by Gertrude Chandler Warner