By August Macke, Walter Cohen
August Macke (1887-1914) was once a grasp of German Expressionism, a move which sprang up within the early 1900s with the rationale to forego actual fact looking for its emotional counterpart, with a specific emphasis on expressing darkish moods of tragedy and angst. Macke was once a grasp of colour and shape, generating crowd pleasing canvases that evoke a powerful sympathetic response within the viewer. He used to be both at home portraying the solar soaking wet streets of Tunisia, the cloudy sky round the Bonn cathedral, and the faceless multitude of a crowded railway station. during this compelling textual content, Walter Cohen. Read more...
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However, it is not necessary to understand every form, because after all, not every language in the world is understood by everyone either. Artists and apparent art connoisseurs previously relegated all art forms of the so-called primitive peoples to the area of Ethnological arts or arts and crafts with a dismissive wave of the hand; this is, at the least, surprising. What you hang as a picture on the wall is something, in principle, which is similar to the carved and painted pillars in an African hut.
5 cm Kunstmuseum Bonn, Bonn 32 33 A peculiarity of the „new‰ images is that in all sections, contrasting groups are to be found, in any colour; a successive rebounding red-greenish-yellow or more formal; colliding surfaces and edges. Most of the new images appear to me to be designed so that the sharp universal contrast of the diverging groups is the means of composition, as opposed to a smooth falling-into-place of contrasting groups in previous works. I believe that in striving to shape a more active life in the image through the contrast, most of the „new‰ painters are similar in all the diversity of their individual interests.
The Impressionists drew their artistic inspiration from art forms of the farmers, from the „primitive‰ Italians, the Dutch, the Japanese, and the Tahitians. They were all inspirations like the natural forms themselves. 3 cm Private collection 54 55 Henri de Toulouse-Lautrec (1864-1901), Aubrey Beardsley (1872-1898), Paul Cézanne (1839-1906), Vincent van Gogh (1853-1890), or even Paul Gauguin (1848-1903) are as far removed from Naturalists as El Greco (15411614) and Giotto di Bondone (1267-1337).
August Macke by August Macke, Walter Cohen