Get Amedeo Modigliani, l'art du portrait et du nu: Entre PDF

By 50 minutes, Coline Franceschetto

ISBN-10: 2806258243

ISBN-13: 9782806258243

Décryptez l'art d'Amedeo Modigliani en moins d'une heure !
Figure éminente de l. a. bohème parisienne au tournant du XXe siècle, Amedeo Modigliani reste cependant en marge des avant-gardes de l'époque. Il élabore, dans une quête stylistique sans fin, des pix épurés où se mêlent mélancolie et absence, mais aussi des nus qui créent le scandale. Entre culture et modernité, Modigliani invente un paintings inimitable et reconnaissable entre mille !

Ce livre vous permettra d’en savoir plus sur :
- Le contexte culturel dans lequel Amedeo Modigliani s’inscrit
- l. a. vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Modigliani
- Son influence dans l’histoire de l’art

Le mot de l'éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Coline Franceschetto se penche sur le parcours d'Amedeo Modigliani, cet artiste toscan qui établit ses quartiers à Paris à l'aube d'un siècle nouveau... "Nouveau", son artwork l'est aussi : analysant les thèmes de prédilection et le variety si particulier de l'artiste, l'auteure nous fait pénétrer dans les méandres d'un paintings targeted en son style. Coline Franceschetto étudie plus particulièrement certaines œuvres emblématiques de Modigliani, notamment La Juive ou Nu couché aux bras ouverts. »
Stéphanie Felten

À PROPOS DE los angeles SÉRIE 50MINUTES | Artistes
La série « Artistes » de los angeles assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Extra resources for Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38)

Sample text

The painter was indebted to the Fauvists, Van Gogh, Gauguin and Matisse, whose works he saw at Bernheim’s, for his encounter with absolute colour. To Cézanne and the Cubists he owed the geometric framework of his paintings between 1911 and 1914 and the elements of his plastic grammar. But his individuality resisted all theoretic limits. “Let them eat their square pears on their triangular tables! 7” he cried vehemently, speaking of the Cubists. A true creator, Chagall borrowed from Cubism only that which served his personal vision.

Qxp 5:45 PM 20/06/2007 Page 58 44. Lovers in Grey (1916), Oil on cardboard, 69 x 49 cm, Collection Ida Chagall, Paris. qxp 5:45 PM 20/06/2007 Page 59 3:02 PM Page 59 45. Bella with a White Collar (1917), Oil on canvas, 149 x 72 cm, Collection of the artist’s family, France. qxp 5:45 PM 20/06/2007 Page 60 46. Double Portrait with a Wineglass (1917), Oil on canvas, 233 x 136 cm, Musée national d’art moderne, Centre Georges-Pompidou, Paris. 47. 5 cm, Russian Museum, St Petersburg. qxp 5:45 PM 20/06/2007 Page 62 48.

The artist not only looked at paintings but got to know people. Talented people were drawn to him, sensing in him a true colleague; thus he became friends with Guillaume Apollinaire, Max Jacob and Blaise Cendrars. Apollinaire was the first to mention Chagall’s name in print, in 1911, when the artist exhibited at the Salon des Indépendants. Apollinaire’s sharpedged verses, often blending into type-set hieroglyphic drawings (calligrams), were for the artist a school of clarity and creative courage, a lesson in the daring logic of twentieth-century thought.

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Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38) by 50 minutes, Coline Franceschetto


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