Read e-book online Acrylic Fusion. Experimenting with Alternative Methods for PDF

By Dan Tranberg

ISBN-10: 1610581865

ISBN-13: 9781610581868

This specified reference ebook is designed to excite and inspire you to push past conventional thoughts and to discover new methods to portray. Acrylic Fusion frees you from conventional methods to portray through exposing you to a various variety of different suggestions, unconventional strategies, and the mixing of certain fabrics that stimulate creativity and inspire experimentation. it is a must-have source aimed toward artists who make work, however it can also be an excellent reference for any crafters, makers, and DIYers who use paint of their paintings, whether or not they make paintings journals, layout greeting playing cards, or refinish furnishings as the suggestions can simply be tailored for lots of other forms of tasks and purposes.

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Canvas became a popular support during the sixteenth century, and it remains what most people think of as the norm for painting. But panels and paper (the modern equivalent of vellum) are both well suited for experimenting with acrylic paint. Panels offer a rigid surface that will not dent and pull the way stretched canvas does, allowing for a wide range of treatments. Paper, which is generally stretched on a rigid panel so it doesn’t buckle, is similarly durable and can be used with acrylic to mimic the effects of watercolor just as easily as it can be gessoed and treated like any other flat painting surface.

Palette knives work well, as do wooden skewers, toothpicks, and many other found tools. WET VERSION STEP 1: Depending on the desired effect, apply either fluid or heavy bodied acrylic to a previously painted area, using contrasting colors and/or values. Heavy bodied paints will tend to hold sharper lines. To create crisply defined shapes, use this technique in conjunction with the Hard Edge technique (see page 39). STEP 2: Immediately work into the wet layer of paint. Scrape a palette knife across the wet surface to reveal raised areas below, or scribe new lines with a toothpick or skewer.

To store them, sandwich them between sheets of wax paper. They will remain pliable indefinitely. Keep in mind that ink-jet ink remains water soluble when dry. Before using printed skins as collage material or applying subsequent layers of paint or medium to any ink-jet image, treat it first with a spray fixative, such as Golden Archival Varnish. { MATERIALS } > FREEZER PAPER OR PLASTIC SHEETING > PAINTER’S TAPE > FLUID ACRYLICS > SELF LEVELING CLEAR GEL OR OTHER FLUID MEDIUM > DIGITAL GROUND CLEAR (GLOSS) > PRINTER PAPER > STANDARD INK-JET PRINTER Getting Started: Choose an image to print.

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Acrylic Fusion. Experimenting with Alternative Methods for Painting, Collage, and Mixed Media by Dan Tranberg

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